Lights, camera, Action ! Fingers cavort in a delightful miniature setting, the cameras hover in time to the music, a voice narrates. Film-maker Jaco Van Dormael and choreographer Michèle Anne De Mey are filming right in front of your eyes. A plane journey, a forest in the fog, seven unexpected deaths… Punctuated by the sudden realisations of a waking dream, Cold Blood unveils a series of different lives in a hypnotic story laced with offbeat humour. With a certain lightness, life celebrates its final moments of happiness and memories file past, at times languid, at times more vibrant. Existence stands still for a dance. When death arrives, it is absurd, often trivial and sometimes comical.
Thomas Gunzig’s script tells us that “there are mechanical deaths, organic deaths, fragrant deaths, deaths in the dead of night, deaths experienced first-hand, silent deaths. And then there are erotic deaths”. This may be a world of death, but the dance is far from macabre. Oh no, it is a celebration of life, the senses, love, the final moments of light and the preceding memories. « Is there life before death? » seems to be the question Cold Blood is asking us. And the answer lies in these hands which are dancing before us, in these virtuoso fingers which are clinging to life and the beam of the spotlights. The show explores the miniscule, surveys little worlds where life is viewed through a kaleidoscope. In this Lilliputian décor, hands intertwine then relax, touch each other and leave the scene, then come back before disappearing for good.
Cold Blood takes us to the other side of the mirror, where moments are suspended in time, in a state of weightlessness. Behind the scenes we find a fantasy world, an optical illusion that reminds us of the wonder of childhood. « It is a show which appeals to all five senses. When people take their last breath, they expect to see their lives flash before them but this is not what happens. There is only one final image which takes them by surprise … the softness of skin on an afternoon which smells of vanilla, the noise of the sheep you are sheering, the smell of freshly-cut grass in the height of summer… » These unexpected memories are a reminder that we only die once because « when the end comes, we do not know that it is the end »
In collaboration with Grégory Grosjean, Thomas Gunzig, Julien Lambert, Sylvie Olivé, Nicolas Olivier and the help of de Thomas Beni, Gladys Brookfield-Hampson, Boris Cekevda, Gabriella Iacono, Aurélie Leporcq, Bruno Olivier, Stefano Serra.
A show by Michèle Anne De Mey, Jaco Van Dormael and the collectif Kiss & Cry.
Scenario : Thomas GUNZIG, Jaco Van Dormael & Michèle Anne De Mey
Text : Thomas Gunzing
Direction : Van Dormael&Michèle Anne De Mey
Astragales is a contemporary dance company led by Belgian choreographer Michèle Anne De Mey. First set up in 1989, Astragales has an international reputation although it is firmly rooted in its native Belgium. Michèle Anne De Mey works with a contemporary dance style interacting with other disciplines with the help of strong partnerships and long-standing friendships, as well as new encounters.
“A great success, a real tour de force... Dance is omnipresent, as the emotional heart of the work and the basic grammar of the famous "nanodance", fingertip dance.”
“Thomas Gunzig's tender, offbeat text weaves these sequences between dream and reality, guiding us through the heroine's numerous and resurrections of the heroine...with a mixture of nostalgia and humor that provides a poetic thread. By speaking to us, the audience, he involves us directly in this eulogy of life on the threshold of death. A fine piece of teamwork. A triumphant double.”
“If the team came back to Quebec ten times over, we'd want to see them again just as often. And we encourage you to do the same. Because their work is masterful.”
“Total theatrical pleasure with a resolutely dark and emotional plot.”
“Backed by an impeccable soundtrack that blends jazz, classical and rock, the show pays musical tribute to great artists. From Nina Simone to Lou Reed, via Ravel's Bolero danced by Béjart, the great story towards infinity delights in a tap dance number, a 1950s musical and soars to the firmament on David Bowie's unforgettable Space Oddity.”
“A poetic ballet of fingers. An unclassifiable and enchanting show. (...) MADM and JVD stage hands, graceful polymorphic incarnations of a film produced and projected in real time on stage.”
“Michèle Anne de Mey's nanodance is a marvellous and troubling invention.”
“It's a rare opportunity to experience theatrical illusion in motion (...) Great art, in the twinkling of an eye.”
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09 OCT 2022 | Utrecht, Pays-Bas : Municipal Theatre Utrecht | BILLETS PRO REQUEST |
19 OCT 2022 | Tiel, Pays-Bas : Agnietenhof (Schouwburg & Filmtheater Agnietenhof) | BILLETS PRO REQUEST |
02 NOV 2022 | Arnhem, Pays-Bas : Théâtre municipal de Arnhem | BILLETS PRO REQUEST |
01 DEC 2022 | : | BILLETS PRO REQUEST |
02 DEC 2022 | : | BILLETS PRO REQUEST |
09 DEC 2022 | Sceaux (92): Les Gémeaux Scène Nationale | BILLETS PRO REQUEST |
10 DEC 2022 | Sceaux (92): Les Gémeaux Scène Nationale | BILLETS PRO REQUEST |
17 FEB 2023 | Drachten, Pays-Bas : Theater De Lawei | BILLETS PRO REQUEST |
02 MAY 2023 | Eindhoven, Pays-Bas : Park Theater Eindhoven | BILLETS PRO REQUEST |